Boucheron presents its Yishu 8 France 2023 Contemporary Art Prize

Yesterday, Thursday September 21, under the golds of its Hôtel de Nocé, the historic Place Vendôme jeweller awarded its Yishu 8 France contemporary art prize to three new talents. A prestigious event attended by former French Prime Minister Jean-Pierre Raffarin.


The three winners of the 2023 Yishu 8 France Contemporary Art Prize were honored last night at 26 Place Vendôme, in Boucheron’s private apartment, which was opened during the European Heritage Days – usually reserved for VIP customers. These were My-Lan Hoang Tuy, Gaspard Willmann and Jonathan Bréchignac.


The prestigious evening was attended by former Prime Minister and committed sinophile Jean-Pierre Raffarin, as well as Lu Shaye, Chinese Ambassador to France, Christine Cayol, founder of Yishu 8, and Bénédicte Alliot, Director of the Cité Internationale des Arts.


Boucheron CEO Hélène Poulit-Duquesne congratulated the winners and expressed her enthusiasm: “Their captivating work testifies to the richness and diversity of French art, as well as its potential to transcend borders.”


Three new French winners


A jury of professionals from the world of art and culture, chaired by Henry Claude Cousseau, former Director of Fine Arts for the City of Paris, selected the three French artists.


Two of the three winners of the Yishu 8 France 2023 Contemporary Art Prize: Gaspard Willmann and Mi-Lan Hoang Thuy © Boucheron


The first is Gaspard Willmann, born in 1995. A 2019 graduate of the Beaux-Arts de Lyon and originally from Royan, Gaspar Willmann sees his creations as photo-montages. His practice of video, painting and its occurrences interrogates the question of reproduced and found images, their mediation, circulation and, above all, their transformation. Willmann is a critical heir to the post-Internet movement. Using images collected randomly on canvas, he creates new, sensitive forms made up of a mix of natural and technological elements and everyday objects.


JUMAP (Le coup fourré) by Gaspard Willmann, ink and oil on canvas, 2022 ©Léa Anna-Jeanne


Born in 1990, Mi-Lan Hoang Thuy is a young Parisian of Vietnamese origin, with degrees in applied arts from the Ecole Duperré (2015) and the Beaux-arts de Paris (2018). My-Lan Hoang-Thuy expresses the imprint of her family history in her work, blending traditional Vietnamese aesthetics with references to Western art, notably the 19th-century Nabis. Influenced by her experience as a graphic designer and her dual identity, Hoang-Thuy questions what constitutes the value of an image, in particular the notion of a unique work and its relationship to the copy or the original. Conceptions that differ from one continent to another.


Untitled by My-Lan Hoang Thy, oil paint, oil pastel, acrylic medium, 2022 ©Aurélien Mole


Finally, Jonathan Bréchignac, born in 1985, is a Parisian artist and graduate of the École de Recherche Graphique ERG (Brussels). In his sculptures, paintings and installations, he oscillates between the roles of scientist, archaeologist and artist. Using technology and scientific protocols such as sample collection and laboratory experimentation, Jonathan Bréchignac brings natural elements such as shells, stones, corals, seeds and crystals to life, elevating them to the status of constantly evolving species. His work focuses on the original material and its transformation, questioning our contemporary relationship with nature and progress.


Svalbard Petri by Jonathan Bréchignac, Glass petri dishes, plant, mineral and animal fragments, resin, 3D prints, LEDs and connectors. ©Arnaud Deroudilhe


A cultural bridge between France and China


When Maison Boucheron began its Chinese expansion in 2017, it wanted to improve its knowledge of the cultural specificities of this market. A providential encounter between the 165-year-old director of the jewelry House and the Yishu 8 project of Christine Cayol, a philosopher with expertise in the Middle Kingdom, was to change everything.


Yishu 8 (pronounced Yishu-Ba) is composed of Yishu 艺术, “art” in Mandarin, and Ba 八, “8” a number symbolizing luck and prosperity in China.


Maison des Arts Beijing © Yishu 8/Boucheron


Created in 2021, this contemporary art prize, sponsored by Maison Boucheron for the past five years, rewards three French artists with a two- to three-month artistic residency at the Maison des Arts de Pékin. The latter is a Franco-Chinese Villa Médicis founded by Christine Cayol. A symbolic place, since this fully restored traditional pavilion, located a stone’s throw from the Forbidden City, once housed the Franco-Chinese University.

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Want to find out more about this cross-cultural initiative? Read our interview with Boucheron CEO Hélène Poulit-Duquesne and the founder of this Franco-Chinese Villa Medicis, Christine Cayol, in our latest Spring-Summer 2023 print issue of Luxus Magazine.




Front cover photo: © Boucheron

Picture of Victor Gosselin
Victor Gosselin
Victor Gosselin is a journalist specializing in luxury, HR, tech, retail, and editorial consulting. A graduate of EIML Paris, he has been working in the luxury industry for 9 years. Fond of fashion, Asia, history, and long format, this ex-Welcome To The Jungle and Time To Disrupt likes to analyze the news from a sociological and cultural angle.

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